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Clavel Arquitectos — Panteón Nube

jan — Tue, 03 Jan 2012 21:33:36 +0000

podrobnosti na Plataforma Arquitectura

Grupo Aran: Casa Lude

jan — Wed, 13 Apr 2011 06:45:41 +0000

více na dezeen

zeinstra van gelderen architecten: rubber house

jan — Mon, 23 Aug 2010 12:27:36 +0000

podrobnosti na designboom

Davidson Rafailidis: Selective Insulation

jan — Fri, 23 Apr 2010 16:45:45 +0000

převzato z Modern Architecture & Design news

Katsuhiro Miyamoto: Clover House

jan — Sun, 18 Apr 2010 12:26:46 +0000

Nishinomiya, Hyogo, Japonsko. 2007

více na archdaily

Vicens & Ramos: farní kostel v Santa Monice

jan — Thu, 08 Apr 2010 06:00:20 +0000

podrobnosti na archdaily

kit webster: enigmatica

jan — Sun, 14 Mar 2010 21:46:43 +0000

více na designboom

lichtfront: augmented sculpture

jan — Thu, 04 Mar 2010 09:31:48 +0000

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Manuel Fonseca Gallego: Centro de Interpretación del Parque Natural Los Calares del Mundo y de la Sima

jan — Sun, 13 Dec 2009 09:23:50 +0000

více na Plataforma Arquitectura

Carsten Nicolai: syn chron

jan — Wed, 18 Nov 2009 14:05:42 +0000

kengo kuma: eska — plastic optical fiber for tokyo fiber 09 senseware

jan — Tue, 19 May 2009 07:41:10 +0000

více na designboom

toyo ito+takram design engineering: furin

jan — Mon, 23 Mar 2009 10:31:14 +0000

On a grid of equilateral triangles, we hung a total of 280 glass wind chimes from the ceiling at varying heights to represent the undulation of a wave. When you walk underneath the wind chime, not only does it ring, but its LED also alights like a firefly. The wind chimes nearer to the ceiling ring in higher tones, and those hung lower in lower tones together offering 10 degrees of tonal expression. And it feels as though you are walking inside a large interactive instrument. Additionally, the wind chimes are networked together, so that the sound and light spreads to adjacent wind chimes like ripples in the water. This network system was based on the idea of behavior we observe among certain animals in nature that form groups.

zdroj: dezeen

Marco Hemmerling: Cityscope

jan — Sun, 21 Dec 2008 06:00:40 +0000

German designer Marco Hemmerling has created a faceted installation in Cologne, Germany, called Cityscope that reflects fragments of surrounding buildings.

The installation was created for architectural festival Plan08 in September.

At night the reflective, colour-distorting film on its surface becomes transparent and the structure is lit from within.

The following is from Marco Hemmerling:

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Cityscope — urban kaleidoscope

The installation „cityscope“ deals with the fragmented perception of urban spaces. The bevelling structure can be seen as an urban kaleidoscope, that reflects fragmented views on the city and composes at the same time a three-dimensional image of the surrounding facades.

While moving around the sculpture the images, that reflect on the triangulated envelope, continuously change. In that way the beholder becomes an integral part of the installation and its complex reflections.

The radiant foil, that is applied to the outer skin of the sculpture reflects, dependent on the daylight situation and the position of the beholder, the light in different colours.

The colour-transformation generates an intentional alienation, that reinforces the idea of a fragmented perception.

Like the facades of a city, the specular envelope becomes transparent in the night, when the installation is illuminated from the inside. The appearance changes in another transformation-process into complementary colours and the inside of the installation can be experienced.

A sophisticated perception of urbanity is often limited to the ground floor level. „cityscope“ tries to open the perspective by concentrating different and unusual views of the urban surroundings. The crystal-like installation is positioned in front of the main station in Cologne, a highly frequented urban square, that allows different angles of vision and supports at the same time the interaction of the beholder with the installation.

The project was designed digitally in 3D from the beginning, using Rhinoceros Software. The final shape is related to the site and reacts to the height and proportions of the surroundings (station, church, dome…). The production of the elements was realized by digital fabrication technology (CAD-CAM) for both the aluminium framework and the synthetic elements of the bevelling skin. The light installation was programmed with different sequences in order to support a dynamic perception of the sculpture by night.

zdroj: dezeen